The Tattooed Poets Project: Cody Todd

We are extending the Tattooed Poets Project through the weekend, giving those who have been enjoying the poetic ink, a little bit more to tide them over until next year.

Today we are being visited by an old friend, Cody Todd, whose tattoos appeared here last year.

This is his latest tattoo, four weeks old, inked at Purple Panther Tattoos off of Sunset in Los Angeles:

Cody provided this explanation:

Not too much of a story behind this. It is Marv and Goldie from the "The Hard Goodbye" of Frank Miller's Sin City. The artist who did this is from Tokyo, and her name is Koko Ainai. I admire the precision of her work in copying Miller's extremely elaborate sketching. As Marv and Goldie embrace, he is holding a gun he apparently took away from her and a bullet hole is smoldering in his right shoulder as he lifts her off the ground. That tattoo is the first of what is going to be a kind of sleeve in parts in which I take different scenes from noir films or works and decorate my whole left arm with. Upon seeing Farewell My Lovely with my girlfriend last week, I decided to get the front end of a 1934 or 1936 Buick as my next tattoo.

...I am doing my critical work for my PhD at USC on the "western noir," which is a term I sort of coined for a specific genre of film and literature concerned with elements that typically comprise classical film noir, except they take place in cities in the western part of the United States. As we see in the film, Sin City, it has a "Gothic City" feel to it, but it is most certainly somewhere out in western Nevada, or California. I think the motifs of lawlessness, street and vigilante justice, and the disillusionment with the American Dream are all at work in this kind of genre, and that it also borrows many elements from the Western as a genre as well. If anyone wants to read good literary western noir, I would direct them, promptly, to read Daniel Woodrell, who takes the noir theme and brings it to the Ozarks and southwest Missouri. If Chandler and Faulkner had a love-child, it most certainly would be Woodrell.

Head over to BillyBlog and read one of Cody's poems here.

Cody Todd is the author of the chapbook, To Frankenstein, My Father (2007, Proem Press). His poems have appeared in Hunger Mountain, Salt Hill and are forthcoming in Lake Effect, The Pinch, Specs Journal and Denver Quarterly. He received an MFA from Western Michigan University and is currently a Virginia Middleton Fellow in the PhD program in English-Literature/Creative Writing at the University of Southern California. He is the Managing Editor and co-creator of the poetry journal, The Offending Adam (

The Tattooed Poets Project: Jozi Tatham

Today's tattoo (and remember folks, we're continuing through May 2!) belongs to Jozi Tatham, who was referred to us by the Milwaukee Poet Laureate, Brenda Cárdenas (thanks Brenda!).

Her tattoo is certainly amazing:

Jozi had this tattoo done by Steve Bossler, who owns Greenseed Studios in Sheboygan, Wisconsin. She had met him originally at Papes Blue Ribbon Tattoo in Milwaukee. Steve splits his time between the two locations.

Jozi explains the inspiration behind this tattoo:

I have wanted this back tattoo for years now. Where the Wild Things Are was my favorite book growing up. Because I have since become a writer, it's extremely important to me to remember the childhood imagination and creativity that we are all born with, but which we often "outgrow". I refuse to grow up and let my imagination slip away, and hopefully having the monsters of creativity tattooed on my body will keep that close to me.

Please check out one of Jozi's poems over on BillyBlog here.

Jozi Tatham is currently a poetry MFA student at George Mason University in Virginia. She hails from Milwaukee, WI where she received her BA and the place which serves as "the inspiration for most of my being thus far." She has been published in newspapers and small publications in the Milwaukee area for poetry and nonfiction.

Thanks to Jozi for sharing with us here at Tattoosday!

Body Painting Gallery

Wonderful body painting.............

The Tattooed Poets Project: Phebe Szatmari

Well I am back in New York and posting this a little later in the day than normal. The good news for those of you enjoying the Tattooed Poets Project is that we will spill over until Sunday, May 2, before resuming our normal activities.

In the mean time, enjoy this amazing tattoo from Phebe Szatmari:

Phebe writes:

Driftwood, for me, symbolizes the worn, the weathered, the old, the beautiful—each piece takes on its own character. My wife and I have a large piece from Richardson Lake in Maine that resembles a leaping elk. Its movement and energy are striking.

I was also inspired by artist Deborah Butterfield who is known for her sculptures of horses (initially created from driftwood before being cast in bronze).

When I found tattoo artist Jason Tyler Grace, I knew that he had the artistic ability to render a realistic image that would also work with the contours of my body. I decided to get my tattoo in order to initiate a new dialog with myself—and because tattoos are hot.
Be sure to check out one of Phebe's poems here.

Phebe Szatmari was working full-time in an office in Manhattan when she learned there was a shortage of poets. She immediately dropped everything and is currently pursuing an MFA in Creative Writing and Literature at Stony Brook Southampton.

In her spare time, Phebe freelance edits, teaches writing, volunteers at LIGALY (Long Island Gay and Lesbian Youth Center), serves as a judge for teen poetry slams, and practices parkour. Her poems will be published in the forthcoming Writing Outside the Lines 2010 anthology.

Thanks to Phebe for sharing her lovely tattoo with us here on Tattoosday!

The Tattooed Poets Project: Steele Campbell

Today's tattoo comes to us from Steele Campbell:

Steele tells us how he came to choose this tattoo:

"I debated back and forth about exactly what tattoo to get and where, but this one seemed to come from within. It should.

This is the Campbell Coat of Arms with the Campbell Motto underneath with Claymore swords behind the shield, as it was the Campbell Clan that started the Black Watch. What can I say; we are known for being ruthless. And because the
Campbell blood courses through these veins, and even spills from them on occasion, I could not find a better representation of myself. It was done in Auburn, Alabama at Shenanigan’s Tattoo Parlour by Ember Reign, a hard-yet-sweet roller-derby-girl tattoo-artist (among other things) as a celebration of permanence. But as nothing gold can stay, only this tattoo and my blood have remained. As they will."

Check out one of Steele's poems here on BillyBlog.

Steele Campbell is currently living (and I mean that robustly). He is essentially transient, but has paused his peregrination at Auburn University to complete a Master’s Degree on the fiction of Marilynne Robinson. He is the recipient of the Robert Hughes Mount Jr. Poetry Prize from the Academy of American Poets two years running and has been published in Decompression, The Boston Literary Review, Rope and Wire and Touchstones. He is the student poetry editor of the Southern Humanities Review. You can visit him at

A Free-form study

This is an attempt at adopting somewhat of a Japanese style into my tattoo designs. Somewhat 'lame' so far. I find one of the most difficult things to do, is to draw in a style that is so uniquely 'iconified' as that of the Japanese tattoo style. In my book 'Elemental Magic' I emphasize the importance of NOT iconifying our elemental designs, but with the art of tattooing, the styles are made entirely of 'icons', that is, highly stylized interpretations of certain elements, with a long history of specific design principles behind them. This I see as one of my greatest challenges getting into tattooing. Although eventually I may be able to set off in my own direction, and create a unique tattoing style of my own, I realize that at the 'apprentice' stage of learning to tattoo, showing a reasonable proficiency in some of the classic tattoo styles, is expected and required. I am just starting, so I will give my self time and space to grow into this....

The Tattooed Poets Project: Lisa Gill

Today's tattoo comes to us courtesy of Lisa Gill:

Lisa tells us:

"Last September, I got a rattlesnake in my living room. (I live rural outside the small town Moriarty, NM). I spent over two hours in close proximity to the snake, and ultimately ended up calling the sheriff's department and getting a deputy to help me catch it and release it off my property. After the encounter I spent months and months writing direct address poems to the snake and ended up with a play where the snake speaks back. The Relenting is both "true story" and archetypal and imagined journey, paralleling the transformation the snake sparked. The encounter, and the writing where I tried to process the encounter, changed my life, and because my life had changed (and is still changing), I wanted a tattoo to symbolize the transformation.

The only tattoo image I considered was the Minoan Snake Goddess.

I understood her intuitively in a way I'm still working to express with words. I worked with tattoo artist Serena Lander. I knew Serena's work on visual artist Suzanne Sbarge, who regularly helps bring Serena to New Mexico from Seattle. I trusted Suzanne and was right to. I had a great experience with Serena, the right kind of energy and contemplative exchange. I wanted line work, one color, kind of ruddy toned. She took images I sent her from archeological digs at the Palace of Knossos and transformed them into the image now on my arm.

I consider the image both a prayer and a mark of a turning point in my life. (I have three earlier tattoos, two black, one white, all smaller, from a decade prior, sparked by a different significant recognition.) The subtext for the new one is this: right before the encounter with the rattler, I'd just made it out of a wheelchair I'd been in for five months due to multiple sclerosis. Arms are not something I take for granted any longer... and the tattoo in that respect is simply about gratitude and facing disability with resilience, as much as I can muster..."

Please venture on over to BillyBlog to read an excerpt from the aforementioned The Relenting here.

New Mexico poet Lisa Gill is the recipient of a 2007 National Endowment for the Arts Fellowship in Poetry, a 2010 New Mexico Literary Arts Gratitude Award, and just earned her MFA from the University of New Mexico this April. She is a literary arts activist, currently booking poets for "Church of Beethoven," and the author of three books of poetry, Red as a Lotus, Mortar & Pestle, and Dark Enough. A fourth book, The Relenting, is forthcoming with New Rivers Press (June 2010) and can be considered either a play or a poem scripted for two voices, rattler and woman. She'll be touring the play in the upcoming year, starting with a staged reading with Tricklock's Kevin Elder at 516 Arts in Albuquerque in June and then onward to Minnesota, LA, hopefully even to NY.

Thanks to Lisa for sharing her amazing tattoo with us here on Tattoosday!

The Tattooed Poets Project: Jeff Simpson

Today's tattooed poet found us by way of Adam Deutsch. Jeff Simpson offers up this cool arm tattoo:

Jeff, a tattooed poet from Oklahoma tells us:

I started reading Horace in grad school and soon grew to be a fan of the odes. The quote, pulvis et umbra sumus—taken from the ode to Torquatus—is commonly translated as, “We are dust and shadows,” but I prefer David Ferry’s version: “we’re nothing but dust, we’re nothing but shadows.” The line offers such a blunt beauty to our mortality, I thought it would serve as a good defense against procrastination, etc. The tattoo was done by David Bruehl at Think Ink Tattoos in Norman, OK. David is an incredible artist. I basically gave him the quote, said I dig skulls, and he nailed the design on the first sketch. This was my first tattoo (I was a late bloomer), and I couldn’t be happier with the outcome. I’ve already booked another session to start working on a sleeve.
Head over to BillyBlog and read one of Jeff's poems here.

Born and raised in southwest Oklahoma, Jeff Simpson received his MFA from Oklahoma State University in 2009. He is the founder and managing editor of The Fiddleback, an online arts & literature journal that will launch its first issue later this year. His poems have recently appeared or are forthcoming in Prairie Schooner, Copper Nickel, Harpur Palate, The Pinch, and H_NGM_N. His first full-length collection, Vertical Hold, will be published by Steel Toe Books in 2011.

Tatuagens de Leitores - Diversos 2

Dando prosseguimento as publicações das tatuagens que os leitores enviam para cá pelo email para serem publicadas,mas que por falta de maiores dados e histórias não foram possíveis serem publicadas em página individuais.

Algumas dessas fotos de tatuagens de leitores nos foram enviadas ano passado.

Emerson de Souza - tatuagem de carpa

Segue a minha carpa que  terminei agora em Janeiro. Esse desenho representa para mim um reconhecimento de tudo que já conquistei  e estimulo para conquistar ainda mais até o final. Por que o ciclo de reprodução da carpa não é único as vezes o sentido é decorrente da necessidade dela é igual a vida. 

 Nunes - Tatuagem de tigre no braço

Fiz o tigre pq acho que sou parecido com o q ele representa e signfica.
  Londres - UK

Maria Gabriela Farias Cobianch - Tatuagem de Símbolos Egípcios

Ola, sou de Ribeirão Preto-SP...
estou sempre vendo o blog, sou apaixonada por arte em geral,
tenho uma tatto há um mês, demorei 1 ano até ter certeza de que era ela msm.

é uma tattoo com 3 símbolos egípcios...

 RÁ: o inicio de tudo, criação; 
ANKH: regeneração e a vida eterna;
UDYAT: poder (rÁ= SOL) (AnKh= cRuZ) (uDYAt= OLho D hOrUS)

Rafael Tomás - tatuagem de Dragão

Mandando pela primeira vez pra vcs ae do site uma tattoo de um Dragão,trabalho meu mesmo

Katya Figueiredo - tatuagem de gato

Boa tarde, vi o seu blog e decidi mandar a minha tatoo.

Tatuei o gato porque os gatos têm um significado muito grande mesmo, e são os meus guardiões por isso decidi tatuar não um gato em concreto, mas sim um simples gato como homenagem a todos os felinos.

boa tarde 

Natália Nunes - Tatuagem com frase " juro que não vou desistir..."

Katia-Ane - tatuagem de escorpião nas costas

agora eu não me pergunte o significado da tattoo q eu não sei.
Agora o motivo foi que eu sempre fui doida pra fazer uma tattoo e agora que sou dona do meu próprio nariz resolví fazer uma.
Mais vou fazer outra mês que vem e mandarei pra vocês.
Podem esperar que mandarei.


Ainda existem dezenas de tatuagens de leitores para serem colocadas aqui no site, mas como o excesso de imagem deixam o blog pesado e dificulta a abertura do mesmo, deixando-o lento. Vou postando as fotos diariamente até acabarem.

Continuem mandando sua fotos de tatuagem , ou mesmo estúdio para E não esqueça, se sua história for rica em detalhes, ela será publicada em uma postagem indivídual co amplo destaque.


The Tattooed Poets Project: Cheryl Dumesnil

Today's tattooed poet is Cheryl Dumesnil.

She offers up this lovely sand dollar tattoo:

Cheryl informs us that Amy Justen from Sacred Rose Tattoo in Berkeley did the work, three sand dollars on her lower left leg:

"Before my first son, Brennan, was born, I had three miscarriages. After his birth, I packed those losses away in a box marked “then,” and moved forward into parenthood. Or so I thought. Nearly a year after my second son, Kian, was born, old grief began seeping out of that box, coloring my days. While exploring how those miscarriages were still affecting me, as a way of integrating them
into my life rather than denying their impact on me, I had three sand dollars tattooed on my leg."

What folows is an excerpt from Love Song for Baby X, a memoir about Cheryl's circuitous route to parenthood, that tells the sand dollar story:

There is also a poem of Cheryl's over on BillyBlog here.

* * *

Sitting in meditation, I close my eyes and invite grief to appear. Now that I’m safely ensconced in parenthood, I can do this. Now that I know what I’m grieving: not the loss of parenthood, but the loss of three babies, I can do this. There, I said it: babies.

I breathe in. I see a meadow full of ragweed and green foxtails. I breathe out.

I wait.

Will grief enter as a mountain lion, all creep, shadow, and snarl? Will grief enter as a black-tailed deer, timidly nibbling the undergrowth?

I breathe in. I breathe out. I wait.

From the center of the field, something white and winged flickers up out of the grasses, flies like a lazy spring butterfly across the blue sky and lands on my left leg. It presses an image into my flesh then dissolves.

What I see there: three sand dollars sketched on my skin.

“Really?” I ask.

“Yes,” grief confirms, “really.”


* * *

“I know what my next tattoo will be.” I present this fact to my wife Tracie as she is standing in the bathroom, brushing her teeth.

She spits a mouthful of foam into the sink, “Yeah, the cherry blossoms and humming bird, right?”

“Well yeah,” I say, “that one too, but first I need to get a different tattoo.” I touch the outside of my lower left leg, “three sand dollars, for the three babies we lost.”

Tracie looks at me, blinking, toothbrush held in midair.

When I speak it out loud, the tattoo plan seems weird, a bit extreme. I mean, were they really babies? Were they really important enough to warrant a permanent mark on my body? I say, “I’m gonna sit with it for a few days, to make sure the image sticks. But it arrived in such an authentic way, I feel like I need to do this.”

She’s not a fan of tattoos, my wife. And yet she knows tattoo is a primal means of self-expression for me. This conflict of interests—wanting to offer me her unconditional support, not wanting her wife to look like a circus freak—it hangs in the air. Until we burst out laughing.

A memorial tattoo. A monument to three spirits that passed through this body. A tribute to all I’ve learned through their passing.

* * *

A week before my appointment at Sacred Rose Tattoo, I walk Pajaro Dunes, the beach of my childhood, looking for whole sand dollars. I want to bring samples to the tattoo studio, to present my artist, Amy, with examples of the real thing.

I want her to feel their grit between her finger tips, to trace the gray veins that creep up their sides like fissures in concrete, to see how the five-pointed star is made up of hundreds of needle-thin lines, to break one open and release the three, tiny, porcelain-like doves that rattle around inside.

I know this length of beach like no other. I know where the waves cross over each other, creating pockets in the sand that catch sand dollars, a cache revealed at low tide.

This weekend, for the first time in my life, I can’t find a single whole sand dollar. This weekend, I carry home a small Tupperware bowl filled with bone-white fragments.

* * *

The electric buzz of Amy’s tattoo gun, the burn of ink needled between my epidermal layers, sends endorphins pulsing through me. Lying on her table, I float in and out of the room, memory playing its filmstrip in my brain.

Years ago, while walking along San Francisco’s Ocean Beach, troubling through a life-altering break-up, I recalled something my sister had found on the beach when we were kids: a dime-sized sand dollar. Logic questioned the accuracy of that memory: could that really have happened? I looked out at the Pacific: five tiers of gray and churning pre-storm waves. How could something so fragile have made it from there to here? Not possible. Then I looked down at the sand. There it was, not five inches away from my feet: another dime-sized sand dollar on the beach.

Now and then, Amy’s voice swirls into my dream-state: “How are you doing?”

“Mmm. Fine,” I hum.

And then the dream about my grandma returns—she and I standing in the shallow surf at Pajaro Dunes, sunlight glaring so brightly off the water, I couldn’t look directly at it. Reaching blindly into the sea, again and again, I grabbed up fistfuls of broken sand dollars, wanting the whole ones I couldn’t see. “Keep trying,” she said, “They’re in there. Just keep trying.”

As Amy works, etching the hair-fine, single-needle lines into my skin, I learn what the sand dollars are really about: hope and faith, trying and believing.


Winner of the 2008 Agnes Lynch Starrett Poetry Prize, Cheryl Dumesnil is the author of In Praise of Falling, editor of Hitched! Wedding Stories from San Francisco City Hall, and co-editor, with Kim Addonizio, of Dorothy Parker's Elbow: Tattoos on Writers, Writers on Tattoos. Her poems have appeared in Nimrod, Indiana Review, Calyx, and Many Mountains Moving, among other literary magazines. Her essays have appeared on,, and in Hip Mama Zine. She lives in the San Francisco Bay Area with her wife and their two sons. Visit her at

Fotos e significados de tatuagem de Pimenta

 Devido a seu forte ardor, a pimenta é um dos alimentos mais amados e odiados consumido pelo ser humano. E engana-se quem pensa que pouca gente consome a pimenta. Cerca de 1/4 da população mundial, consome de uma forma ou de outra esse adorável alimento. A linguiça calabresa possui pimenta ,você sabia?

A ardência da pimenta é apenas uma defesa maravilhosa que a natureza criou para o fruto, visando a perpetuação da espécie. Por ser a semente facilmente digerida pelos mamíferos, a tornando inútil para germinação, a defesa encontrada pela natureza foi esse ardor. O interessante é que nos pássaros esse ardor não é sentido. Nem precisaria, já que a semente da pimenta não é digerida pelas aves, sendo liberadas no solo juntamente com as fezes.

O nome pimenta vem do latim "pigmentum" que significa "matéria corante" e que em espanhol recebeu o nome de Pimenta, sendo hoje conhecida como "especiaria aromática".

Muitas vezes sendo chamada de coisa do diabo ( antigamente na Itália se chamava a pimenta de Diavolleto,ou pequeno diabo), na verdade a simbologia mística da Pimenta é:  Proteção, bons relacionamentos amorosos, sorte, prosperidade e afasta o olho gordo.

Seu ardor e fogo, sempre surgere um desejo Sexual forte "picante".

Para saber mais sobre pimenta e seus benefícios para a saúde e mesmo emagrecimento Clique aqui:

Fotos de tatuagens de pimenta:

Normalmente uma tatuagem de pimenta é colocada em zonas do corpo que exalam a sexualidade,virilha, bundas, coccix, seios, pés e pescoços São os locais mais usados. Embora seu uso seja maior entre as mulheres, a pimenta não é exclusivamente uma tatuagem feminina. Homens costumam usar a pimenta,mas de forma uma pouco mais agressiva e sem conotação sexual ou sensual.

Não há evidentemente uma regra para isso. Cada pessoa possui seu próprio significado para sua tatuagem.


The Tattooed Poets Project: Gina Myers

Today's tattoo comes to us courtesy of Gina Myers, who is the third poet this month to come back to the Tattooed Poets Project after appearing last year. Check out her 2009 contribution here.

Gina sent along this tattoo, which graces the inside of her left wrist:

Gina explains that this tattoo:
"... was done by PJ at Old Town Tattoo in Saginaw, Michigan. In addition to the word bird, I have several other birds tattooed on my body: a pigeon named Franklin, a phoenix, an eagle, and a number of swallows. "Ginabird" is one of my nicknames, and "bird" is a nickname I share with my best friend. I always thought it was weird when people got either their own names or their own nicknames tattooed on themselves, but this seemed okay since it was a shared nickname. It's not really about me. My best friend said she is getting the same tattoo in the same place, but that hasn't happened yet."
Be sure to head over to BillyBlog and read one of Gina's poems that she picked for us here at The Tattooed Poets Project.

Gina Myers lives in Saginaw, MI, where she works as the Associate Editor of 360 Main Street, the Book Review Editor of NewPages, and the Reviews Editor of H_NGM_N. Her first full-length collection of poetry, A Model Year, was published by Coconut Books in 2009.

Female Soccer Body Painting

The Tattooed Poets Project: Amber Clark

Today's tattooed poet is Amber Clark, whose tattoo is not only on a poet, but is itself a line from a poem:

This tattoo is om Amber's upper back, just below the neck. Amber explains how this tattoo arrived to become engraved in her flesh:

"The artist was Randy Ford at Maverick's Tattoos in Destin, FL. He is soft-spoken, gentle and engaged. He also gives guitar lessons. We talked at length regarding the nature of his work - in effect, branding people permanently, acting as conduit for the indelible. And I remember thinking that we both attempt to act in the world in very much the same way; he with ink, I with writing. This is brand new; I got it in January 2010 as a 34th birthday present to myself because I found this line of Mary Oliver's poem returning and repeating in my mind again and again over the years, like a mantra. It pushes me to create, to make, to be engaged with the world - which is both ironic and (maybe) shamefully delightful. Of course, I joke about the shame, but given the context of the poem, the connotations of 'mantra' seem silly."

The following is Ms. Oliver's poem that inspires so:

What I Have Learned So Far

Meditation is old and honorable, so why should I
not sit, every morning of my life, on the hillside,
looking into the shining world? Because, properly
attended to, delight, as well as havoc, is suggestion.
Can one be passionate about the just, the
ideal, the sublime, and the holy, and yet commit
to no labor in its cause? I don’t think so.
All summations have a beginning, all effect has a
story, all kindness begins with the sown seed.
Thought buds toward radiance. The gospel of
light is the crossroads of — indolence, or action.

Be ignited, or be gone.
Please head over to BillyBlog to read one of Amber's poems here.

Amber Clark teaches English and literature at Northwest Florida State College as well as Gulf Coast Community College. She reads for Tin House, and she will be guest judging the Scratch Poetry Contest in June 2010. While most of her own work can still be found on napkins and matchbooks, in personal journals and private word docs, and on the windshields of friends' and lovers' cars, most recently, her work can also be found in Pebble Lake Review, SandScript, Slow Trains, Underground Window, and Poetry365. A graduate of The College of William & Mary and The Radcliffe Publishing Institute at the Center for Advanced Study at Harvard, she also holds a MFA in Creative Writing from Queens University at Charlotte.

The Tattoosday Book Review: Tattoo Traditions of Hawai'i

As we wind down through the last third of National Poetry Month and our annual Tattooed Poets Project, I look ahead to the coming week with very mixed emotions.

I will focus on the positive, however, and say that Tattoosday is going on a little excursion, traveling nearly 5000 miles to the archipelago known as the Hawaiian Islands.

There, I hope to spot some ink and meet a member of the tattoo community who I very much admire.

Last weekend I threw a photo on the sidebar recommending the new book by artist and writer Tricia Allen, who tattooed my friend Cat several years ago (I wrote about it here). On Saturday, April 24, Tricia will be having a book release party (and tattoo contest) at the Barnes & Noble in Ala Moana Center in Honolulu.

I will be in attendance, covering the event, and reporting on it to our loyal Tattoosday audience.

But the purpose of this post is not only to announce my travel plans, but to make some more folks aware of Ms. Allen's talents.

Shortly after posting Cat's ink, my awesome mother, who I can't wait to see, sent me a copy of Tattoo Traditions of Hawai'i, written by none other than Tricia Allen. It was a coincidental gift, but a much-welcomed one at that.

As a resident of Oahu for fifteen years, I have roots in the islands, despite my New Yorkerness, which is itself diluted by a dozen years in L.A.

It was with this appreciation of Hawaiian culture that I gobbled up the book and, rather belatedly I'll admit, have decided to review it here on the site.

What sets this volume apart from most tattoo books is that it approaches the traditional tattoos of Hawai'i from archaeological and sociological standpoints. The reader who is interested in the development of tattoo art through history will find this book informative and fascinating.

And despite the subject matter and the minimal existence of historical photography, Ms. Allen still engages the reader, as her respect and appreciation for the art form guide her efforts.

Once she has dispatched the historical aspect of the tattoo in Hawai'i halfway through the book, the author speaks to the resurgence of the art form in the 1970's and beyond.

And although much has been said about Norman "Sailor Jerry" Collins and his contribution to the popularity of tattooing in the armed services, Ms. Allen focuses not on the widespread social acceptance of tattoos across the United States, but rather, she breaks the second half of the book into anecdotal sections focusing on specific individuals, their tattoos, and their relationship with their own personal and cultural art.

To the lay person unfamiliar with Hawaiian culture, this exercise is a fascinating journey that analyzes more than just a design; it explores the process and sets the modern Hawaiian tattoo apart from the more common tribal art that took the mainland by storm in the 1990's.

What we are left with is a unique pursuit of the understanding of not just the art of tattoo, but the cultural significance of the practice that has gone from a remnant of an ancient tradition to a new expression of cultural and ancestral pride.

Tricia Allen's Tattoo Traditions of Hawaii is a fascinating look at the art of "Hawaiian" tattoo both ancient and modern. It is important to recognize the history of the tattoo in Hawaii, yet also to appreciate the influence of other Polynesian cultures in the art form. Not only do we recommend this title, but we anticipate that Ms. Allen's new title will be similarly compelling.

To learn more about Tricia Allen, the art of the Polynesian tattoo, and to buy her books, check out her great website here.

The Tattooed Poets Project: Aaron Anstett

Today's tattoo comes to us from Aaron Anstett who had also initially inquired about joining us last year on the Tattooed Poets Project.

Although the quality of the image may have a lot to be desired, the age and nature of the tattoo make it worth a peek, in my opinion:

Aaron explains:
"The main image was based on an illustration by a college girlfriend and applied nearly two decades ago, at a tattoo parlor outside of Iowa City, Iowa (at that time, I don't recall there being a shop in town, but who knows). The words from [John] Donne's The Sun Rising were applied a couple years after that, at a shop in Houston. Donne has long been among my favorites, though other poems more so with the passing of time."
It should be noted that "BUSY old fool, unruly sun" are not merely words from the poem, but the memorable opening line. You can read the whole Donne poem here.

Aaron Anstett's collections are Sustenance, No Accident (Nebraska Book Award and Balcones Poetry Prize), and Each Place the Body's. He's completing the last weeks of his term as the inaugural Pikes Peak Poet Laureate and lives in Colorado with his wife, Lesley, and children, Molly, Cooper, and Rachel.

Head over to BillyBlog to read one of Aaron's poems here.

Thanks to Aaron for sharing his tattoo with is here on Tattoosday!

Tatuagens de leitores - Diversos

Muitos leitores enviaram tatuagens para o email do Estimulanet-Tattoo para que elas fossem publicadas no blog. Mas como nesses emails não vieram detalhes  sobre as tatuagens, nem histórias sobre elas, reuni todas e as coloquei nessa postagem, e não em uma postagem individual como estou acostumado a fazer.

Espero que apreciem o que anda sendo tatuado na pele dos leitores do Estimulanet-Tattoo e que essas tatuagens possam lhes servir de inspiração na hora de  fazer a próxima tatuagem.

Rodrigo Vila Boas
Rodrigo nos enviou sua tatuagem no braço de um Maori com um Tribal o adornando, o casamento desses dois estilos,ficou excelente. São sem dúvidas o meu estilo preferido de tatuagens.

Luis batista oliveira junior
Luis nos mandou sua tatuagem de Dragão tribal feita na sua perna, na lateral da altura da panturrilha.Essa tattoo possui a cor forte do preto, sendo em partes contornado pelo vermelho,o que dá um excelente contraste.

Luis Fernando Mantovani.

Luis Fernando possui uma tatuagem de uma rosa vermelha com folhas verdes, tendo em seu centro uma caveira que também possui tatuagens com sombrados em azul e uma nova flor ao centro. O detalhe do dente de ouro dessa caveira quase psicodélica cria um vizual bastante interessante.


cintia nos brinda com uma tatuagem na cintura, próxima a barriga.  Sua estrela com as cores dos Rastafári. Essa estrela fica entre As iniciais "M" e "C" que fazem parte do nome de seus pais: M (Marcio) C (Cleusa.).
O significado dessas cores para os Rastas são: O vermelho simboliza a igreja dos Rastas e  o sangue dos mártires negros. O verde é a beleza da vegetação da Etiópia e da terra prometida. E o amarelo significa a abundância da terra natal.


Sandra Seixas

Segundo ela mesma:
Eu já tinha feito minha tatuagem c/ as carpas a mais de 5 anos e algum tempo atrás um amigo comentou sobre o significado dela quando está para cima e para baixo. Achei super interessante mas somente hoje tirei um tempo p/ ver na internet. Fiz as carpas pq adoro peixes e tb pq sou do signo de peixes! Agora que fiquei sabendo do significado, gosto mais ainda!!!!!

 A tatuagem de Sandra nos brinda com 2 belas Carpas de tonalidade amarelada,cercadas por flores azuis. Para saber mais sobre o significado das tatuagens de Carpas clique aqui

Marco Pereira

Marco sonhou com um Samurai, que era ele mesmo, e decidiu fazer essa linda tatuagem de samurai com belos traços em sua costela.


Edvaldo fez em sua panturrilha uma tatuagem de palhaço com cores fortes e quentes com destaque para o amarelo sol e o vermelho intenso

Lorena Araújo Leão

Sua tatuagem por ela mesma.

Ela foi feita em 2005,em homenagem a um grande amor. Ele é cantor aqui na minha cidade,muito bom cantor, e ele tem uma dupla com um amigo, a dupla se chama "Marcos e Ruan",é uma dupla sertaneja,mas nos shows eles tocam de tudo,de Pop a Rock, e o instrumento que ele toca é a Guitarra, então resolvi tatua-la em mim. A frase é de uma música que ele compôs. a música se chama "Bem que eu quis" Lindissima
O amor acabou em 2007 e ainda não tive coragem de tirar o nome dele de minha tattoo: Acho que vou deixar para sempre porque foi a melhor fase da minha vida

Caso voce deseje que sua tatuagem apareça aqui, nos envie foto e história para Lembrando que quanto maiores forem os detalhes de sua história e significado de sua tatuagem,maiores são as chances dela serem publicadas em uma postagem individual. Capriche no seu texto e mande seu email.